Shopping Spree
Shopping For Harder Notes
The shopping spree gained popularity throughout the late 90s and early 2000s. Similar to the game shows of the same era, the idea is to fill your cart with the most value and still make it acrossed the finish line in time.
Sprees are typically focused on flam based rudiments in a 12/8 time. Commonly, flam accents are used as a triplet check, followed by an insert of your choice of rudiments.
These exercises can be as simple or complex as you want. As a result, sprees can be a great tool in building a rudimental vocabulary.
Instead of a triplet check, I have opted for a sixteenth based pattern. When working with a drumline, this pairs nicely with some of the more common bass splits. Get creative with your own check patterns acrossed not only different rhythms but different time signatures as well.
The paradiddle on beat four is designed to force a left hand lead in the second measure. This is great for working rudiments off the left that might otherwise be neglected, such as swiss army triplets or paradiddle diddles. A younger student might opt to replace this paradiddle with singles and just play a one bar phrase instead of two.
The above check pattern can be modified in a variety of ways. Below, you will find a variety of possibilities that will hopefully spark ideas of your own. Note that any triple based rudiment can easily replace the accents found on the first three beats, while any duple pattern can replace beat four. Also try combining multiple rudiments in to one measure or even rewrite the accents to make it your own.
Here are some of my favorite 8 bar combos.
The next few inserts primarily focus on stickings that will help with harder rudiments. Try working through the stickings before adding accents to each pattern. Work for consistentency of sound and proper finger control.
The next few inserts focus on 2 height rolls. It implements the concept of gridding, however, instead of moving the accents, we’re moving the diddles. Be sure to master theses diddles before adding flams in the next sections.
The next few sections combine flam accents, diddles, and inversions. The flam accents work as a base and should be mastered before moving on. Be sure to break each measure down.
Transcript
After a mastery of these rudiments is achieved, you might try any of the following:
The shopping spree gained popularity throughout the late 90s and early 2000s. Similar to the game shows of the same era, the idea is to fill your cart with the most value and still make it acrossed the finish line in time.
Sprees are typically focused on flam based rudiments in a 12/8 time. Commonly, flam accents are used as a triplet check, followed by an insert of your choice of rudiments.
These exercises can be as simple or complex as you want. As a result, sprees can be a great tool in building a rudimental vocabulary.
Instead of a triplet check, I have opted for a sixteenth based pattern. When working with a drumline, this pairs nicely with some of the more common bass splits. Get creative with your own check patterns acrossed not only different rhythms but different time signatures as well.
The paradiddle on beat four is designed to force a left hand lead in the second measure. This is great for working rudiments off the left that might otherwise be neglected, such as swiss army triplets or paradiddle diddles. A younger student might opt to replace this paradiddle with singles and just play a one bar phrase instead of two.
The above check pattern can be modified in a variety of ways. Below, you will find a variety of possibilities that will hopefully spark ideas of your own. Note that any triple based rudiment can easily replace the accents found on the first three beats, while any duple pattern can replace beat four. Also try combining multiple rudiments in to one measure or even rewrite the accents to make it your own.
Here are some of my favorite 8 bar combos.
The next few inserts primarily focus on stickings that will help with harder rudiments. Try working through the stickings before adding accents to each pattern. Work for consistentency of sound and proper finger control.
The next few inserts focus on 2 height rolls. It implements the concept of gridding, however, instead of moving the accents, we’re moving the diddles. Be sure to master theses diddles before adding flams in the next sections.
The next few sections combine flam accents, diddles, and inversions. The flam accents work as a base and should be mastered before moving on. Be sure to break each measure down.
Transcription
After a mastery of these rudiments is achieved, you might try any of the following:
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